4 (Possibly Uncomfortable) Predictions On The Future of Photographic Technology

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Jason Row is a British born travel photographer now living in Ukraine. His images have been licensed to companies such as Cunard, Ethiad and Virgin Atlantic as well as multiple newspapers and magazines. He is also the founder of Learn Photography Direct, the new, unique, one to one photographic tutoring service. He maintains a travel stock photography site at Jason Row Photography You can also catch up with him on Facebook at Facebook/TheOdessaFiles

The past 15 or so years have seen a seismic change not only in photographic technology but technology in general. Back in the late 90’s if I had said we would all be taking pictures on high resolution digital sensors and looking at our images on ultra thin touch screen tablets, there was the strong possibility I would have been locked up as crazy. But today here we are and so much incredible technology has been developed over these last few years that I though that we might take an unscientific and entirely subjective look at what the future holds for photography.

The Third Dimension – In film and video 3D has had many false dawns, possibly including the latest fad of 3D television. In my opinion the one big thing holding 3D back is the way we view it, which is, for the most part sitting at a fixed distance from a screen wearing oddly unfashionable glasses. I also believe it may not be too long before we get devices like an iPad with a 3D screen that does not require any glasses to view. If we do get to this stage, 3D photography will become huge. Imagine taking an image in three dimensions and turning the screen of your tablet to look around the corners.

Sign me up for that one.

3D has seen many false dawns by Capt Kodak, on Flickr

Light Field Photography – This is a buzzword making the rounds at the moment, especially since Lytro burst onto the scene. So what is it and where is it going? Light Field cameras dispense with the normal optics, instead placing micro-lenses over each pixel. Combining this with some clever software gives you a camera that does not need to be focussed, in fact you can set the focus point after the shot on your computer and change it to suit. This technology is in its infancy but it has the potential to replace current lens technology allowing not only post production focusing but also depth of field changes and possibly focal length changes. The technology is well suited to 3D imaging so come the screen revolution, we may well see the rise of the Light Field camera too.

Lytro – One possible future by BLatro, on Flickr

Convergence – Like it or not, video and photography are converging rapidly. Virtually all stills cameras on the market today include HD video but in the last year or two, the video world has seen the emergence of 4K prosumer level camcorders. 4K video has roughly 8 megapixels of image resolution, more than enough for a decent quality print to be made from a still frame. With 8K waiting in the wings, the resolution of video will soon be more than enough for the average user to use for photography. We could soon enter a world where Cartier Bresson’s decisive moment is a thing of the past, a world where we just pick the best shot from a 10 second video burst. Don’t worry too much though we as photographers will still define ourselves by our compositional skills. Or will we?

8mp stills from a video camera by aurélien., on Flickr

Compositional Aids – There are numerous cameras available now with G.P.S built in. Virtually all cameras on the market have face recognition, a database of scenes to determine exposure and some pretty powerful processor power. Taking this forward a few years, 4G phones may now be 5G, cameras will have a constant connection to the internet, not only to upload but to download information that can be collated together with the GPS data to determine exactly what you are looking at, virtually anywhere in the world. By cross referencing all of this data, the camera could, quite possibly, tell you the best positions for shooting. Yes I know this will always be subjective, but what it does mean is that the average, non-photographer will not have to think about their composition in the same way that today they don’t need to think about exposure or focus.

Of course one of the advantages of this technology for us photographers is that when we get home at start to catalogue our images, we may well be able to press an auto-keyword button that will populate our images with suitable and relevant keywords. That that is something I would pay for.

There is, of course, much much more that can and will happen, some of it obvious. The increase of megapixels and dynamic range, the increased connectivity, but there is probably also much more lurking in the minds of brilliant photographic engineers and scientists that we cannot even begin to conceive at the moment. Much of what I have written above, may well be regarded as a flight of fancy by an over imaginative photographer, and you would be right at this moment in time, but let’s all get together in 5 or 10 years time and revisit this article and see how we have progressed. I am sure there will be some surprises in store.