When we started Light Stalking, it was for no other reason than that we liked taking photographs and learning how to do that in a better way. While we always appreciated the role that photographers played in keeping a vibrant democracy informed, we weren’t really informed of the trials that photographers go through in undertaking that job, other than the occasional incident or anecdote. The growing popularity of Light Stalking has meant a greater exposure to those people who don’t really see photography as having a legitimate role in strengthening a society and some who are downright hostile to the idea.
Perhaps that’s an informed decision or perhaps it’s them reacting to specific cases. Either way, it got us thinking about the very real debt that free societies owe to photographers.
Photographers have traditionally had to put up with abuse from those who either didn’t want their photograph taken or didn’t want some other thing exposed to a wider audience. The cases of photographers being unjustly or illegally interfered with while going about their perfectly legal profession or hobby have grown exponentially in the last decade too. This article is for them.
In almost every photo in the following collection, the photographer has made somebody very uncomfortable and, in almost every case, provoked a hostile reaction from an individual, group or segment of society. And in every case, the photograph in question has had a positive and lasting effect on society.
Saigon Execution by Eddie Adams – The Photograph That Helped End a War
One of the photographs that helped sway public sentiment against the Vietnam War, this image was taken in 1968 at the beginning of the Tet Offensive. The image depicts Brigadier General Nguyễn Ngọc Loan of the Republic of Vietnam National Police executing Nguyễn Văn Lém of the Viet Cong.
The image itself is so indelibly marked on the conscience of society that few people even realise that video of the event also exists. It is used in a massive amount of texts on the Vietnam War and is often cited as a demonstration of the injustices perpetrated by American allies in the south.
While it is undoubtedy Eddie Adams’ most famous photograph, Adams was not comfortable with it, once saying “The general killed the Viet Cong; I killed the general with my camera. Still photographs are the most powerful weapon in the world. People believe them; but photographs do lie, even without manipulation. They are only half-truths. … What the photograph didn’t say was, ‘What would you do if you were the general at that time and place on that hot day, and you caught the so-called bad guy after he blew away one, two or three American people?”
Face Off at the Oka Crisis by Shaney Komulainen – The Photograph That Stopped a Land Grab
The rights of Canada’s first people were brought into the spotlight in 1990 when the Oka Crisis brought land developers and government into conflict with the local indigenous population of Oka in Quebec.
The local council and developers were attempting to expand a golf course onto land that had a long and involved history of conflict between the native peoples of Oka and the European inhabitants. The story made international news and highlighted many injustices faced by Canada’s first people including the fight for recognition of their rights to land that they traditionally used.
The defining image of the crisis was this one of a soldier and Mohawk warrior facing off which highlighted the lengths to which the native people were willing to go to stop encroachment – standing up to the military.
The event lead to various changes in the law and processes in Canada to help prevent such occurrences, as well as local and international support for the cause of Canada’s first people and some of the more obvious injustices that they faced.
1968 Mexico Olympics Black Power Salute by John Dominis – The Photograph That Brought the Civil Rights Movement to the World
Six months after the assassination of Martin Luther King, the 1968 Olympics in Mexico saw the most overtly political statement in modern Olympic history when African American athletes John Carlos and Tommie Smith made the raised fist sign on the medal podium with Australian athlete, Peter Norman wearing a Olympic Project for Human Rights badge in solidarity with the two Americans.
While all three athletes were later shunned by their athletic establishments as a reprimand, none ever recanted their actions which, with time, came to be seen as one of the most significant protests of 20th century race relations.
“If I win, I am American, not a black American. But if I did something bad, then they would say I am a Negro. We are black and we are proud of being black. Black America will understand what we did tonight,” said Tommie Smith.
The athletes have since become standard bearers of putting beliefs before personal interests and the photograph remains an iconic reminder of their stand.
Fire on Marlborough Street by Stanley J Forman – The Photograph That Saved Lives with New Fire Safety Regulations
In 1975, photographer Stanley J Forman grabbed a ride with a fire truck responding to a report of a fire in Marlborough Street in Boston. He arrived in time to capture one of the most heart-rending images in the history of photography – a woman and child falling 5 stories from a shoddily-built fire escape. Reportedly, this happened just as the firemen’s rescue ladder reached them.
The woman was pronounced dead at the scene and the child ended up surviving (her fall was apparently cushioned by the woman).
The photograph went on to win a Pulitzer Prize in 1976, but more importantly it catalysed the call for stronger fire regulations across Boston and the USA thereby saving potentially thousands of lives in the decades since.
Checkpoint Girl by Chris Hondros – The Photo That Solidified the Public Against the Invasion of Iraq
Possibly the single most powerful image to emerge from the 2003 Invasion of Iraq, Checkpoint Girl was captured by photographer, Chris Hondros at the height of the fighting in 2005. It shows a terrified young girl spattered with the blood of her parents after they were shot by US soldiers at a checkpoint.
While the war was never very popular with the public, this image crystallised its horror in the imaginations of many across the world and helped pile extreme pressure on the US and allied governments to improve the terrible situation. How successful that might have been is debatable, but this photograph at least, played a large role in turning public support.
Chris Hondros, the photographer, was killed while photographing the Libyan uprising in 2011.
Segregated Water Fountain by Elliot Erwitt – The Photograph That Was the Beginning of the End for Segregation
As a prelude to the civil rights movement of the 1960s, this simple 1955 photograph by Elliot Erwitt brought into stark focus the injustices suffered by the African-American population of the US. Unlike a lot of the other photographs in this list, it doesn’t capture a dramatic moment or have dramatic visual appeal – it’s simplicity and the mundanity of the subject matter give this image its strength and show how ingrained discrimination was into daily life.
The image is almost synonymous with the beginnings of the civil rights movement that was at its peak a decade later in the 60s. It’s strength lies in its simplicity and the undeniable character of the subject. The discrimination depicted in the photograph is immediate and unmistakable and became a powerful display for civil rights campaigners in getting their message across.
Famine in Karamoja, Uganda by Mike Wells – The Photograph That Put Famine on the Political Agenda
This simple yet amazingly powerful image of the hands of a starving child and missionary holding hands. This photograph was only the second photo depicting African famine to win a World Press Photo of the Year award. It is also arguably a leader as the most defining piece of media of all time to draw attention to famine in Africa.
With several African famines from the late seventies through to the mid eighties, images like this, as well as efforts such as the Band-Aid concerts brought massive media coverage to the issues facing Africa and firmly held aid in the spotlight as part of the political agenda. A brief look at aid figures show a halt in the decline of development aid at this time, despite it later trailing off from the late eighties to the present day.
The photographs above are all profound and all had a lasting and positive impact on the way society progressed. From galvanising opposition to war through to getting governments to change their policies for the better, they all played their part. But in no way is this an exhaustive list. Photographs that make this list are famous but there are tens of thousands of photographs that never make it onto lists like this, but still effect change. Photography and the women and men who produce it create a net positive for society in general.
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