We have all seen those wonderful shots, those beautiful landscapes that are in focus from what seems like inches in front of the lens element to miles in the distance. They look fantastic but how many times have you tried to replicate them without success, maybe the foreground is out of focus, maybe the horizon is blurry. Well, you should start utilizing the concept of hyperfocal distance.
Welcome to the second of our tutorial series on Gimp. As we have said before Gimp has evolved into an extremely powerful tool for photographers, having many of the features contained in it’s payware cousin, Photoshop. Today we are going to take a look at adding a graduated filter to an image with a dull sky.
With a fairly simple setup to get started, table top photography opens up plenty of photographic possibilities. You don’t need a lot of investment in equipment to get going. While it can also be done as a DIY project, you can buy the required equipment like table and lighting fixtures to quickly dive into table top photography. This post will help you get started.
Most of us understand the importance of the color or white balance setting on our camera. It is there to deal with the variations in color from different light sources or in the case of the sun, different times of the day. There is however an entire other side to color and that of course is the control of color in post production. Today we will take a brief look at how to control our color in software.
You know me. I am the grumpy one, the world weary, snappy snapper that grunts rather than replies with anything that has a semblance to intelligible language. I am the cynical photographer. Having spent the best part of my life in photography, there are some things that really yank my camera strap, some annoyances that are better out than in. Come take a rant with me.
Some of the most visually striking images in photography are those shot in infrared. There is an ethereal look to infrared images that is distinctive and visually appealing. They are however, not the easiest things to take, you need to shoot either on infrared film or on a digital camera suitable for infrared. There is, however, a way to simulate infrared using Photoshop and today we will walk you through that technique.
Amazing low light capabilities, or so the marketing screams. It seems the mantra of every camera manufacturer these days – the total elimination of image noise. It is virtually impossible to find noise in a well exposed image that is shot on an ISO of 1600 or less. But is this necessarily a good thing? This post explains how image noise can actually be your friend.
In a recent article here on Lightstalking, we introduced you to the considerable benefits of the open source software Gimp. Of course it’s all very well to tell you about such programs but as with any software, it can have a steep learning curve. For this reason, we are going to do a series of tutorials to teach you how to get the best out of Gimp. In this tutorial, we are going to learn how to add sparkle to dull shots.
We have all come across the limitations of our camera sensors, many times. It manifests itself, in particular, with blown highlights – those areas of intense brightness within an image that were too bright for the camera’s sensor to deal with. But it’s not difficult to overcome these limitations. You can use 6 simple ways to extend the dynamic range of your photos.
A photography blog can go a long way in establishing you as a photographer. But there are a few considerations when you are setting up your blog which can really help you get noticed. From deciding what to post to the role of social media in your blog, there’s a lot to consider.