A very powerful and yet often forgotten function within Photoshop CC are Smart Objects. Smart Objects were originally created for graphic design use and introduced in Photoshop CS2. Since then, they have evolved into an extremely useful tool for photographers. One of their major uses is their ability to allow non destructive editing not only of the images but also of filters applied to an image. In this article we will take a look at some things that you can do with Smart Objects.
Before we go anywhere, we should discuss exactly what a duotone is. It has its genesis in the printing world where, to save on color printing costs, some editors would print an image that was a mixture of black and white with a single color added in. A Split Tone generally starts from a color image and changes the color tint of both the highlights and shadows. The Duotone was born. Although not so important in the publishing world these days, Duotones and Split Tones remain striking and interesting images and thanks to modern software, they are also easy to create. Today we will look at creating one in Lightroom.
With apologies to our younger or newer photographers, today I am wearing a fine pair of rose tinted spectacles. They are quite an old pair of spectacles, bought, in fact in the days of film photography and their effect on me is to induce a certain amount of melancholy for the days of celluloid, chemicals and red lights, photographic red lights, I should hastily add. Join me in a trip down memory lane to revisit some of the great (and not so great) things about film photography.
High key landscapes are often dramatic and emotive images. They typically work best in black and white but can sometimes work well in color using desaturated colors. A high key landscape is always going to work best if it has been shot with that effect in mind. However, with a suitable image, it is possible to get a high key effect using Adobe Lightroom. The aim of a high key image is to have the majority of the tones towards the highlight end of the histogram. High key is not about over exposing an image, it is more about carefully exposing the shot to keep the shadows lighter but preventing the highlight areas from clipping.
Adobe’s Lightroom has become one of the best editing and image management options for enthusiast and professional photographers alike. In its most recent incarnation, the editing tools that it provides mean that for many images, there is no need to work in Photoshop. Today we are going to take a look at five advanced Lightroom techniques.
One of the biggest disappointments for photographers last year was Apple’s decision to discontinue its popular Aperture software. For nearly 10 years, Aperture along with its rival Lightroom had created and pushed forward the concept of easy image management. Whilst Adobe came through with a promise to create an Aperture to Lightroom plugin, Apple teased us, ever so slightly, with a new product, Photos. Now that product has hit public beta and we are going to take a brief look at it. As it is a beta, rather than give an opinion, this article will look at some of the feature that should make it into the final version.
Amongst the major social media platforms, Pinterest is a bit of an odd one when it comes to photography. It is a website that you either love or hate, a veritable encyclopedia of creative ideas or a den of stolen imagery. It is, however, big, growing and looking like it’s going to be around for a while. As photographers, social media platforms generally serve two main purposes, to share and promote our photography and to seek new and inspiring ways to improve our shots. Pinterest has the potential to do both of these but only if you understand the limitations and pitfalls of using the platform.
You may spend hours of your valuable time working on images in Lightroom, but for what? In order to grow as a photographer, people need to see your work, to be able to not only praise but also critique your output. As we know, Lightroom has become a very powerful editing tool as well as […]
Once the first flushes of our photographic journey have worn off, a certain laziness can creep in. This can manifest itself in a slight arrogance that we know all we need to know or that we have the required skill to achieve the look that we desire in our shots. Sometimes it can even be a case of photographers’ block, an effect that paralyses our ability to see and shoot good images. Today we are going to look at some ways to shake off laziness and inject some new energy into your photos.
Getting your first serious camera is an exciting moment. So much to learn, so many buttons and dials to understand, complex menu systems to decipher, it’s no wonder many leave their cameras on auto modes. Slowly we begin to understand the relationships between all the settings but perhaps one of the last things we tend to look at is white balance. Although our eyes do not notice it, light has many different colors depending on what the source of the light is, and in the case of the sun, what the time of day is.