Unlike the world of the DSLR, the mirrorless ecosystem is not awash with what could be regarded as ultra wide angle lenses. One that does stand out is the Fuji XF 14mm f2.8. It was released originally as a companion to the Fuji X-Pro1 but will fit any of Fuji’s current interchangeable lens models including the XT1. These cameras use an APS-C sensor which means when we add in the crop factor, the 14mm gives an equivalent filed of view of 21mm. Of course, the major advantage of being designed for an APS-C sensor is that the size can remain more compact than an equivalent full frame version. Let’s see how this lens performs.
Cumbersome, heavy and unnecessary are words that often spring to mind when talking about tripods. All of these words are quite accurate and good excuses not to take a tripod with you. The fact is though, in many cases you can get much better image quality if your camera is tripod-mounted as opposed to handheld. Maybe the light has faded fast, you may have seen an amazing flower, perfect for a tripod locked macro or perhaps that scene in front of you is begging for a deep depth of field. These are all shots you may lose if you don’t have a tripod with you. Today, rather than espouse the benefits of tripods, we are going to look at ways of motivating yourself to take one more often.
Abstract art separates reality of a subject through the use of imagery. Instead of an accurate, concrete image, abstract art instead conveys feeling, mood, color, movement and/or texture. While there is not a hard and fast definition of abstract nature photography, we can apply the principals found in abstract art to create captivating images. Exploring and using an abstract approach in nature photography positively impacts our creativity in 1) composition, 2) use of color, movement, lines and texture, and 3) post-processing. When delving into abstract, a key tip is to bring the focus to the elements of the subject versus the subject itself.
“Winter is an etching, spring a watercolor, summer an oil painting and autumn a mosaic of them all,” wrote Stanley Horowitz. It is apparently the succinctness and vividness with which Horowitz describes autumn that has so resonated with people searching for seasonally appropriate quotes. Accordingly, the macro images that follow all embody, to one degree or another, the brilliant patchwork of seasons that is autumn.
When traveling there are things that are not in your control, especially if photography is one of the main reasons you are traveling. That doesn’t necessarily mean that there is nothing to be done. Here are 7 things to keep in mind when doing travel photography.
Afghan Girl was the photo that left a significant impression on me as a teenager, and I see it did on others as well. I took a photography course in high school and with that training I was able to handle most of the photo needs for our school yearbook. The week following graduation was […]
Hey friends, This topic is about people and things that remain unnoticed in our lives. They stay right there in front of us , but still we cant see them.
Hi, I initially got interested in photography as a kid. and grew up learning on an AE-1. For a long time I was much more focused on technical details, and having the best equipment (something I couldn’t/can’t) afford. eventually I realized it’s more important to take a ‘good’ photo than a technically perfect one (but […]
Hi guys, Thank you for your website, so good to read for amateurs like me. The first photo who hooked me on photo is the photo from the little Vietnamese girl Phan Thi Kim Phuc, by the 21 year old photographer of the Associated Press, Nick Ut. Not only this photo. I was 15, and […]
<img src="<img src=”http://www.lightstalking.com/wp-content/uploads/album/44651/Candy-HDR-1-500×333.jpg” />Paris Candy Store by Arne Saknussen on Light Stalking” alt=”” />
<img src="<img src=”http://www.lightstalking.com/wp-content/uploads/album/44651/Orange-Slinky-500×333.jpg” />Orange-Slinky by Arne Saknussen on Light Stalking” alt=”A “Slinky” toy photographed on a mirror.” />