For most photographers, Photoshop is one of, if not the primary tool used to make adjustments to digital photos. It’s their darkroom, allowing creativity and correction for mistakes made in, or uncontrollable situations while shooting. Additionally, it can be used to black and white, sepia and other color conversions, selective color, blemish removal and removing […]
Photography Post Production Articles
Improving your photos in the darkroom and on the desktop.
Despite the name, Photoshop was created more for graphic designers, not photographers, but photographers looking to airbrush their digital files quickly adopted it as their go-to piece of software. By the time v7 came out, specific tools, plugins and actions were being created for photographers and Photoshop could handle the RAW, or unprocessed files from […]
Last year we covered photography mistakes, but what about post processing blunders that can leave you forever embarrassed? Here is a collection of common post production mistakes that can turn you rosy red and how to avoid them. Shooting RAW when you shouldn’t be. For some reason digital photographers feel the need to always shoot […]
Digital photography has changed all of our lives and given us the ability to sit behind a computer monitor and be our own Ansel Adams with the post production. But it’s not that simple, there are several pieces of software to edit your photos with after you take them, the most well known being Photoshop. […]
Up until about a decade ago photographers had it pretty easy. Shoot, drop the film off at a local lab, then spend the next two to three days doing whatever you like; shoot more, meet with clients, lounge around your house, whatever. You’d go pick up your developed film and prints and either build your […]
So you have rushed out to shoot a landscape on a sunny day, and while you tried to remember the sunny f/16 rule, you forgot to take your gradient filter with you and you have some washed out skies in your shots. Fear not! All is not lost. Here is a quick and dirty way […]
