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There was, for a long time, a difficult-to-define color type in photographs that I admired. Finally, I learned that the color that was seducing me so much was produced by a now-extinct film called Kodachrome. Most of my photographs are ultimately displayed in black-and-white. The reason is utilitarian: since my images are from the streets, they aren’t taken in a controlled environment, and too much color in the scene can distract the viewer. At the time, this was the perfect excuse for investing so little time in learning about precise color correction. Oh, poor, naive me.
One of the most common descriptions I found in Fujifilm camera reviews involved a thing called “Film Simulation”. Within this small repertoire of effects lived the king of color films, for me and many other photographers: the famous Kodachrome, dubbed “Classic Chrome” in the world of digital photography. Fujifilm humbly describes this profile as offering “Added tonal depth for a documentary photography look.” The Classic Chrome profile is a pretty precise simulation of Kodachrome’s behavior when exposed to light.