- March 5, 2019 at 3:37 am #393639
From the recent spell of good weather in Manchester (now a dim & distant memory). I usually shoot street close-up but wanted to portray something a bit different. Your thoughts and critique welcome.
Fuji X-T2, XF 55-200 (95mm). 1/250 f8 (ISO 250). RAW file edited in LR & Silver Efex.
- March 5, 2019 at 4:13 am #393642
Richard, good job. Possibly just a tad more detail in the window frame. (middle, left and lower) Just a tad.
- March 5, 2019 at 4:35 am #393650
Appreciate your thoughts Erik – thanks.
- March 5, 2019 at 7:08 am #393690
Richard I find the shot quite interesting and like the processing exactly as it is. I'm assuming you lightened the face and its well done indeed. Finding it interesting comes with some discomfort. If the person in the frame was not made aware of this shot then as its not journalistic and would be a stretch to call it art then its voyeuristic in nature. If there is a story here then it could be any number of things. Guy with head in his hands, has he got a headache, did he get home and find the dog dead on the mat or is he just tired? Maybe you know Richard and just did not tell us. Unlike the lands that endorse twisted human rights if someone poked a camera lens through my front window and took a candid I would commit no crime by kicking shite out of him. The private security team that patrol here would pick him up eject him through the gates with his camera smashed to bits. So the fact I find it an invasion of privacy colors the way I look at the shot. You will no doubt continue to shoot candid's like this and I will continue to feel uncomfortable when viewing them. Just beware of doing it around my neighbors cos when they catch ya you will find that Fuji and lens a tad uncomfortable when wedged up your rectum lol.
- March 5, 2019 at 10:46 am #393711
Thanks for the positive feedback. City centre office space shot from the public highway and subject not identifiable so I sleep easy on this one. Story is yours to create and I like your suggestions. First time rectum has been mentioned in a critique of my photos but sadly no prize.
- March 5, 2019 at 1:28 pm #393729
Agree with Erik, raise the blacks just a tad.
- March 6, 2019 at 2:48 am #393860
Thanks Robert – will experiment with that idea. Bw.
- March 5, 2019 at 1:34 pm #393731
The rule of thirds may be applicable here. I didn't see the subject in the photo until someone mentioned it. Probably because the dark shadows overwhelmed my old eyes, which is why I have difficulty with applications that use light text on dark backgrounds.
- March 6, 2019 at 2:47 am #393859
Thanks for sharing your thoughts Roger. I deliberately ignored rule of thirds in this instance and placed the figure bottom of frame. I wanted it to be a ‘surprise' discovery in the frame rather than something the eye immediately went to. Your comments suggest that my intent may have been successful in that respect. Bw.
- March 6, 2019 at 3:57 pm #394018
A minor point…. you should ‘clone out' the two bright highlights (spots) in front of the man's nose.
I believe you have the potential for several images within this one Richard. Of course it's dependent upon what the purpose of the image is for. I'm going to do this over a few posts as we can only post one image per post.
In this first image — I wouldn't necessarily brighten the ‘darks'… rather I would “remove” some of the brightness of the top third. In the image posted I used the Graduated Filter in LR that was angled to match the shadow line. I started the Graduated Filter at the shadow area and dragged it about 1/8″ (4mm) into the shadows. The settings were approximately:
- March 6, 2019 at 3:58 pm #394019
Crop to the lower window:
- March 6, 2019 at 3:58 pm #394021
- March 6, 2019 at 4:00 pm #394023
Further Cropped to 16×9:
- March 6, 2019 at 4:02 pm #394024
As you can see, there are several options for ‘different' images.
Horizontally reversed, larger than 16×9, with the canister moved over using the LR clone/healing brush. (The “rings” on the canister are causing the two highlights in your original image):
Shadows were also lifted in the Tone Curve to +22
- March 7, 2019 at 12:28 am #394093
For me it works as you presented Richard, a nice example of Barthes' punctum and studium theory.
- March 7, 2019 at 2:55 am #394121
Appreciate your time and efforts here but, like you, I prefer the original version. The highlights are key for me along with the progression to shadow and that becomes lost in the darker versions. The close crop loses the context and I wanted the figure to be a small, but significant presence in the image, and not something the eye was immediately drawn to.
- March 7, 2019 at 9:57 am #394222
No worries Richard.
I was in studio in Arizona one year and this photographer had an image of a ‘lightening strike' at the Grand Canyon as it struck the ground. Looking around the studio, I noticed the photographer had about 8 or 9 variations of the same image… but in different crop sizes and crop shapes. Each version sold for a different amount with some being in the 1,000's.
With the exception of cloning out the two highlights in front of the man's nose, the remaining was just showing the potential for different ‘variations' on the image depending on what you may be using it for.
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