{"id":186094,"date":"2015-06-17T09:00:44","date_gmt":"2015-06-17T13:00:44","guid":{"rendered":"https:\/\/lightstalking.com\/?p=186094"},"modified":"2020-02-11T05:25:39","modified_gmt":"2020-02-11T10:25:39","slug":"comfort-zone","status":"publish","type":"post","link":"https:\/\/www.lightstalking.com\/comfort-zone\/","title":{"rendered":"How to Get Out of Your Comfort Zone as a Photographer"},"content":{"rendered":"\n
As with many other areas in life, you may find yourself susceptible to falling into a routine with your photography – a comfort zone, if you will. It is usually a good thing to find a “comfort zone” in life. When it comes to your photography, however, a comfort zone could put your work at risk of becoming dull. I\u2019m not advising you to implulsively scrap your usual workflow simply because you are rather to used to it. But be careful that your work isn't becoming monotone and routine.<\/p>\n\n\n\n
I can say all this coming from personal experience. Having two and a half jobs doesn\u2019t leave much time to take photos, devoting the necessary amount of time to them, so whenever I did have the time, I went for the sure and safe shot. I only bothered attempting something that I was really used to and was certain would work, but all that work eventually came down to only dusk portraits and semi-sunset panoramas. My girlfriend had to point this out to me because I hadn\u2019t really noticed it myself. After consulting with other photographer friends of mine, they confirmed the observation.<\/p>\n\n\n\n
<\/a>Photo by Christian Lambert Photography<\/a><\/p>\n\n\n\n You will get to the comfort zone, it will adversely affect your photography, and the chances are pretty good that you won\u2019t notice it.<\/strong><\/p>\n\n\n\n The first sign that you are settling into an overly familiar method is that you may find yourself choosing the same (or similar) locations over and over again, perhaps only changing up the angle a bit to avoid capturing the exact same background all the time. You may even get accustomed to shooting at a particular time of the day with a preferred set of weather conditions.<\/p>\n\n\n\n The next sign could be that you limit yourself to photographing only one or two things ( landscape-oriented portraits and city panoramas, in my case) over and over again.<\/p>\n\n\n\n The issue here is that this affects the business aspect of your photography, not just your creative outlet. Nobody would hire a photographer who is not able to come up with something fresh and unique. Nobody likes a picture that cannot be differentiated from the work of dozens of other mediocre artists.<\/p>\n\n\n\n <\/a>Photo by Jamie McCaffrey<\/a><\/p>\n\n\n\n If you catch yourself doing that, you need to step up your game and start widening your horizons. It is ultimately for your own good. I\u2019m not saying that you need to specifically drop portraiture and start shooting macro. Just try to change up the scenery and create something that is new and different from what you are accustomed to.<\/p>\n\n\n\n If you still think you aren\u2019t suffering from comfort-zone-syndrome, then go back and check out your 30-40 most recent photos which you've taken on your own. If more than half are similar one to another, then you are already stuck in a bad habit which you need to quickly break.<\/p>\n\n\n\n What To Do When You Hit Complacency<\/strong><\/p>\n\n\n\n Once my girlfriend brought to my attention how boring my work was, the first thing I did was take an approach completely opposite to what I had been doing for months. I had been waiting for the blue hour, but since it was still sunset, I took some shots with direct sunlight hitting the lens. And boy, did I have problems – tons of problems.<\/p>\n\n\n\n