All Posts by Jason Row
Time waits for no man, and the same could be said of photographic technology. The moment you have bought your new pride and joy, it is supplemented by a newer, better model. Buying photographic equipment can be daunting, addictive and of course costly, especially in an age when products change seemingly on a monthly basis. So how can we make the right decisions on our purchases?
I was brought up in the days of film, the days of one hour mini lab printing on the high street of every small town, a time when having a physical print or slide sent shiver of satisfaction down your spine. But don’t get me wrong. I think digital is, quite frankly, superb. The problem is that in today’s instant, digital world, we tend to look at our images on a computer monitor or an iPad. This post will convince you to print your photos.
Like HDR, sepia or selective color, creating panoramas is one of those trends that seems to get in and out of fashion. They are better suited to print rather than the computer monitor but one thing that does remain is their ability to impress and engage the viewer, especially when printed big. Today we are going to show you how to stitch together panoramas using Photoshop.
Many of us, when we commence our journey into photography, pay scant regard to the technical side of image making. Chief among those is the exposure triangle, the invisible but vital bond between shutter speed, aperture and ISO. Each of the trinity have unique capabilities to change the way your image looks and today we will take a look at what the shutter speed does to your shots.
When we start out on our journey into photography, one thing we strive for is image sharpness. Whilst sharpness in an image is a good thing in general, there are times when a little blur adds a huge amount of visual weight to a shot. One such case is motion blur. Often created in the shooting phase, today we will look at adding motion blur to an image in Photoshop.
The Channel Mixer is a powerful way to create stunning black and white images from color digital shots. By manipulating each individual color channel, we can replicate the filters that traditional black and white photographers use. In this tutorial, we will see how to use Photoshop’s Channel Mixer to create black and white images.
Those of us that sell our images through stock agencies, will know that the stock industry falls broadly into two camps, microstock and macrostock. Microstock works on the pile-them-high-sell-them-cheap principle whereas macrostock tends towards higher quality, more exclusivity and higher prices. In recent years, however, a third way has been emerging, most notably in the form of ImageBrief.
Many of us who use products like Lightroom and Aperture will be familiar with the term non-destructive editing. In these programs, the editing information is actually contained in a separate file and only applied when viewed or exported. It is, however, different in Photoshop but there is a powerful tool in Photoshop that duplicates many of the image adjustments tools whilst maintaining the quality of the image. This tool is the Adjustment Layer.
Getting away was supposed to be a way to relax and recuperate, time away from the stresses of modern day living. The problem is, that whilst the end location might be idyllic, the getting there is often fraught with stress inducing pitfalls that can put a dampener on your holiday. Learn how to travel with your camera with these useful tips.
We have all seen those wonderful shots, those beautiful landscapes that are in focus from what seems like inches in front of the lens element to miles in the distance. They look fantastic but how many times have you tried to replicate them without success, maybe the foreground is out of focus, maybe the horizon is blurry. Well, you should start utilizing the concept of hyperfocal distance.