My primary genre of photography over the last several decades is travel. It’s an endlessly varied subject that’s open to any photographer. Indeed you don’t need to travel far to take travel photos.
Today we are going to take a look at transport as travel shots.
Author: Jason Row
Jason has more than 35 years of experience as a professional photographer, videographer and stock shooter. You can get to know him better here.
Living in the North East of England, dull days, especially in the winter can be pretty much the norm. That gives me two options, scurry back under the bed covers and wait for sunshine, or get out and embrace the dull light.
But what can you shoot when the skies are relentlessly grey? Quite a lot actually.
Having spent a lot of my time travelling to take photos, I am very much in the mind set less is more these days. There are some very good reasons to minimize your kit bag, especially when travelling or pounding the streets of a vast city. Not least amongst them is the weight.
Today I am going to take a look at why and how shooting with a single prime lens can boost your creativity.
If you have been doing photography for a few months or years, I urge you to go back and take a look at them. There is one thing that may well stand out above all others. They look flat, very two dimensional.
Whilst every photo will always be two dimensional, that doesn’t exclude us from purveying a sense of depth in them. In fact, adding depth to your images will make you a better photographer and your photos more engaging.
But how do we do that?
Today we are going to try and make sense of the current image file formats, hopefully allowing you an informed view on which one to use in your photography.
Sunrises and sunsets are amongst the most emotive shots that we can take. Yet, we often end up disappointed by the end results. The problem is that it can be very difficult to scale down the natural beauty of a sunset into a single two dimensional image. The other issue with them is that social […]
