Getting Started With ISO: A Beginner's Guide | Light Stalking

Getting Started With ISO: A Beginner’s Guide

Along with shutter speed and aperture, ISO is one of the three critical elements affecting exposure. For a solid rundown on how they work together you can reference our older article on the exposure triangle. But for today, let's hone in on ISO and how useing it deliberately and cleverly can make or break your photo.

What Is ISO?

As you may have already learned, ISO is basically the sensor’s sensitivity to light. When light hits the sensor, it is converted to a signal which is later processed to result in an image. The ISO settings actually affect the signal which is generated from the sensor. It works as an amplifier: the higher the setting, the more amplified the signal is. Photo by Dennis Skley

What Do the ISO Values Mean?

If you were to use film, ISO would be the equivalent of ASA. The numbering (the increments) is the same. 100 ISO has the same sensitivity as 100 ASA. If you were to increase the ISO from 100 to 200, the picture will be twice as bright. The same will happen from 200 to 400, from 400 to 800, and so on. Each increment is equal to one stop of light. The base value for all digital cameras is ISO 100, and every doubling of that value is considered to be a base value as well. Using ISO values between the values that are doubled (160, for example) will result in an image which is a tad noisier than it should be at that value. This is mainly because it uses the higher base value and just darkens it a bit. Photo by Steve Snodgrass

Noise and ISO

As mentioned earlier, increasing the ISO will make the picture brighter, but don't forget that doing so comes at a cost. The most obvious drawback is the noise. The more you increase the ISO, the noisier the picture becomes. Noise happens when there is a lack of signal – you can often hear this with audio amplifiers in the form of buzzing or hissing when the volume is significantly increased. Essentially the same thing happens with an ISO sensor. Keep in mind that different sensors produce different amounts of noise at the same level of boost. It all depends on the sensor itself, the algorithms working behind it, the size of the sensor, and the amount of light hitting it. Photo by Tom Hall

Sharpness and ISO

A certain amount of detail is lost when the ISO is increased because this introduces noise. All cameras perform best at their base ISO, which is the value of 100. Imagine, for example, a piece of string which, on your picture, is only 1 pixel thick. In theory, it forms a line which is a single pixel thick and runs along the whole sensor. On ISO 100, the amount of other pixels with the same color as the piece of string will be minimal, and that would be the cleanest image that the sensor is able to produce. However, when you double the ISO from 100 to 200, it will also increase the amount of pixels that are bright enough to pass as part of the piece of string (noise-generated). If those noisy pixels are in the row right next to the string, it will make the string appear thicker and softer. That is basically how detail is lost due to noise in the picture.

Image by Kevin Wolf

Dynamic Range

For your landscape photography needs, it's better to stick to 100 ISO as much as you can. Increasing the ISO drastically reduces the dynamic range capabilities of your sensor. You can go up to ISO 400 on most cropped sensor cameras without too many problems, but I wouldn’t recommend any higher than that. This is especially true if you think that the scene requires a certain amount of shadows and highlight recovery. The lack of signal will require more signal boosting in the light-to-signal creation process. Photo by Frank Schmidt


ISO is one of the three exposure elements which you should almost always try to keep to a minimum. The less ISO, the better. It means less light, but it also means a cleaner, sharper image with a greater dynamic range. Try to increase the amount of light reaching the sensor by using wider aperture, longer shutter speeds, and managing the scene to fully utilize available light rather than turning up the ISO.

About the author

Dzvonko Petrovski

Photographer who loves challenging and experimental photography and is not afraid to share the knowledge about it.


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