There has been a bit of a fuss recently over Flickr’s decision to start selling prints of it’s members photographs. There is a potential 50 million images that Flickr can sell but the uproar has come from the fact that the photographers will not see a single cent of any picture sold. The reason for this? The Creative Commons license. Flickr is exploiting this license to monetize the images it hosts and despite the protestations of the photographers who will lose out in this, they are legally within their right to do so. Whether they are morally right is an entirely different question and one that is not for this article. What they are in fact exploiting is the fact that a significant number of photographers do not understand Creative Commons. With that in mind, today we intend to give you a brief overview of that license and how to avoid being exploited by it.
Geotagging, a relatively new word to the ever increasing lexicon of photographic terminology. It is a relatively simple term that means adding GPS co-ordinates to your images. In practice, it can sometimes be quite a complicated procedure involving bulky devices attached to your camera or manually adding photos to a map in Lightroom or Aperture. There is a better, cheaper option however, using an app. Today we will look at a recent addition to my iPhone, Geotag Photos Pro.
The rise of cameraphones has had two significant effects on photography. First it has dramatically increased the number of images that we are taking and, secondly, it has changed the way many people first get into, what we might call, proper photography. Before, most people that took a step up to an SLR or a DSLR, did so from a compact camera. These days they are much more likely to be doing it from a smartphone. Because of this, entering the word of the serious camera may seem quite daunting to the first time buyer so, with apologies to our many experienced members, today we are going to look at some useful advice on buying your first camera.
All lenses distort. Most have some degree of barrel distortion as well as pin cushioning. They often also have other issues such as chromatic aberration and vignetting. Modern day lenses keep these issues well controlled but can never eliminate them entirely. For this reason we have lens correction software. Until recently this software often took the form of standalone apps or plugin for Photoshop. Nowadays, however, most higher end software will have lens correction built in. Today we are going to take a look at one of the most powerful of the built-in tools, Lightroom’s Lens Corrections.
We photographers love a challenge. Whether it is contorting ourselves into strange positions to get a macro shot, or trying to soothe a screaming baby to get a shot for a proud new mum, we will nearly always find a way through. Today we are going to take a look at seven of the most challenging photographic scenarios and hopefully supply some times to help you keep calm and carry on shooting.
With portraiture, what you see is not always what you want to get. Even the very best portrait with the perfect model will often need some form of post-production to get it to pop. Today we are going to look at six classic post production techniques to get the most out of your portraits. These techniques are generally similar in Lightroom and Photoshop but in this article we shall concentrate on Lightroom. When using Photoshop it is best to use an adjustment layer or a duplicate layer to preserve the original.
Although originally developed as a image management tool, Adobe’s Lightroom has evolved into a powerful post production application. For many photographers, Lightroom provides all the tools required to make their images pop without ever having to resort to Photoshop. Lightroom’s tools are particularly suited to landscape and urban photographers who want to squeeze every last drop of quality from their images. Today we are going to look at three powerful tweaks that will make your outdoor images sing.
Unlike the world of the DSLR, the mirrorless ecosystem is not awash with what could be regarded as ultra wide angle lenses. One that does stand out is the Fuji XF 14mm f2.8. It was released originally as a companion to the Fuji X-Pro1 but will fit any of Fuji’s current interchangeable lens models including the XT1. These cameras use an APS-C sensor which means when we add in the crop factor, the 14mm gives an equivalent filed of view of 21mm. Of course, the major advantage of being designed for an APS-C sensor is that the size can remain more compact than an equivalent full frame version. Let’s see how this lens performs.
Cumbersome, heavy and unnecessary are words that often spring to mind when talking about tripods. All of these words are quite accurate and good excuses not to take a tripod with you. The fact is though, in many cases you can get much better image quality if your camera is tripod-mounted as opposed to handheld. Maybe the light has faded fast, you may have seen an amazing flower, perfect for a tripod locked macro or perhaps that scene in front of you is begging for a deep depth of field. These are all shots you may lose if you don’t have a tripod with you. Today, rather than espouse the benefits of tripods, we are going to look at ways of motivating yourself to take one more often.
This post follows on from my earlier article on my stock shoot in London. My next destination was Belgium and, in particular, Ghent and Bruges. Although well covered by stock photography, I still felt that it would be possible to get some marketable images from these locations, especially from Ghent, my first destination. Read on to know how my experience was, shooting stock photographs in these two lovely cities.