In the last of this short series of iconic cameras, we are going to back in time a little and away from the single lens reflex models to what is arguably one of the most iconic cameras of all time, Leica’s M3 rangefinder camera.
By the time Leica released the M3 in 1954, they already had a worldwide reputation for the highest quality cameras and lenses. Unlike the Nikon F1 and Canon 1D we discussed in previous articles, the M3 was revolutionary, not evolutionary – it introduced and refined several important technologies to the Leica range that found their way, eventually into most other manufacturers cameras and to a certain extent exist even today.
Perhaps the most important new technology Leica introduced was the bayonet lens mount. Until the M3 all Leicas and most other cameras had used the unwieldy screw thread type of lens mount. The bayonet design enabled photographers to rapidly change lenses and keep up with the action, a real advantage for photo journalists. The DNA of that bayonet mount lives on today in Leica’s superb range of lenses, all of which will still fit the M3. An adapter was created for the pre M3, screw thread lenses, ensuring that owners of previous Leica models would still be able to use their existing lenses.
The M3 also featured a newly designed viewfinder that was much larger and brighter than on previous models and introduced framelines to correct parallax, a major problem for rangefinder cameras, especially when composing close up images. The framelines within the viewfinder also adapted to different lenses. The viewfinder had a 0.92x magnification, much higher than other cameras, allowing the photographer to attain much more accurate focus.
Another of the M3’s key features was the introduction of a film lever as opposed to the older film advance knob. Initial M3s had a double stroke lever, as there was the worry that rapidly advancing the 35mm film could tear it, although later models moved to a single stroke. The shutter was cloth based focal plane with speeds running from 1 sec to 1/1000 sec, again a very high speed for the era. An important feature of the shutter was that it was near silent, a huge advantage to street and documentary photographers.
The M3 continued Leica’s reputation for exquisite design and build quality. The movement of every moving part was silky smooth and the camera’s ergonomics were simply way ahed of their time. Although the camera contained no built in light meter, Leica had a an accessory, the Leicameter. This was an uncoupled meter, that sat on the hot shoe and allowed you to determine exposure via dials on the top. The correct exposure would then be transferred manually to the M3.
The combination of all these factors led to the M3 becoming the ultimate photo journalist camera of its time. The list of names that used the M3 reads like a who’s who of photographic history. Perhaps one of the most famous users of the M3 was Henri Cartier-Bresson, the French street photographer who used his M3 with numerous lenses, his favorite being perhaps the Summicron 50mm. One of his most famous images, On the Banks of Marne was taken with an M3 and 50mm lens. Other greats that used the M3 include, Robert Frank, Robert Capa and W. Eugene Smith.
The M3 remained in production until 1966, with various modifications being made during it’s lifetime. It sold over 220,000 units making it the most successful Leica of all time and resulting in a healthy second hand market for them even today. A good quality M3 will set you back about $1000 even these days, with the single stroke film lever version generally fetching higher prices. Of course this is a body only price, adding a decent lens to this will certainly more than double that.
The Leica M3 remains one of the single most important cameras ever made, a true photographer’s camera, that allowed the user to compose and focus easily, rapidly wind the film on and in some cases, create some of the most iconic images in the long history of photography.
Jason Row is a British born travel photographer now living in Ukraine. You can follow him on Facebook or visit his site, The Odessa Files. He also maintains a blog chronicling his exploits as an Expat in the former Soviet Union