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Photography can be more enjoyable when the common social dynamic of “Groups” takes place. The night before he died, the 19th-century French mathematician Évariste Galois postulated a very interesting definition of “groups” – and even though he was certainly referring to math, his definition also applies to photography collectives. “A group is composed of members, all of whom are equal in common feature; contains a member of identity such as its combination with any other member of that other member, which means that it maintains the identity of the member.”
Thanks to the new communication networks and technology, photography collectives can be formed and grow as a group without the need for being fixed at a specific geolocation, as with traditional social groups. The passion for photography requires discipline, and if it develops in an individualized way, it ends up demanding harrowing amounts of energy. That’s why collectives are so functional. As a one-man army, one’s energy will be quickly drawn, but in a collective environment, the energy demand ends up being not just tolerable, but also enjoyable.