What You Need to Know About Adobe's DNG File Format | Light Stalking

What You Need to Know About Adobe’s DNG File Format

By Jason Row / March 14, 2014

Over the last few years, RAW files have become the norm in digital photography, giving the photographer a significant increase of the control of their images as well as improved image quality. This wasn’t always the case, in the early days of digital photography, which in fact was only the first few years of the new millennium, RAWs were unwieldy, large files that were difficult to post process. To counter this Adobe introduce Adobe Raw Convertor to its Photoshop series in 2004 and at the same time launched its own Universal RAW file, called DNG, short for Digital Negative.
Adobe’s DNG takes RAW files from your own camera manufacturer and creates its own standardized RAW file. DNG is currently available for over 350 different cameras but what are its advantages and disadvantages, should you convert to DNG? Today well will try to dissect the pro’s and con’s of this interesting format.

Jason Row Photography, on Flickr

So what are the advantages of DNG?

  1. As a universal RAW file, it is available for most cameras today and in the past. Photographers that use different cameras from different manufacturers or have changed brands and have large number of older files from a different company can convert their RAWs all to the same format. This means you are not at the mercy of companies that may go out of business and stop supporting their camera RAW formats.
  2. Metadata can be written directly to the DNG file meaning that when using image management software such as Lightroom, you do not need to export the file with a separate sidecar file in order to maintain the metadata. 
  3. The DNG format RAW files are generally smaller than the manufacturers files, and more recently Adobe has introduced lossy compression to DNG allowing users to make their files even more compact.
  4. Because DNG is an Adobe format, Adobe products will continue to support and bring out the best in the DNG format, maintain very high compatibly across Adobe’s photographic products.
  5. Because metadata can be written into the DNG file, there is an extra level of copyright protection for photographers. Full copyright and ownership details as well as contact details can be fully embedded into the file. This is very useful for photographers that need to send their RAW files out of house for post production work.

Jason Row Photography, on Flickr

Let’s look at some of the disadvantages

  1. Many camera manufacturers include data in their RAW files that can only be read by their own software. Nikon for example has some information in its NEF format that cannot be read by third party software. This includes manufacture specific camera features that are integrated into the camera and written to the RAW file.
  2. You are adding a further step to the post production process and whilst DNG conversion is generally quick, mass converting a large photo shoot and indeed a comprehensive back catalogue could be very time consuming.
  3. Because DNG is an Adobe format, you are at the mercy of Adobe’s strategic decisions. There is always the possibility, however unlikely, that Adobe might try to monazite the DNG format by charging either charging for the convertor or by not supporting older versions forcing you to upgrade to the latest Adobe product.
  4. When working on DNG files, the very fact that you can write directly to the file introduces the possibility of file corruption. Standard RAW files are not changed in anyway, image corrections are written to the sidecar file. In DNG this information is written to the file itself, meaning that corruption may lead to the loss of the image.

Jason Row Photography, on Flickr

Whether or not you decide to convert your RAW images to DNG is entirely a personal decision. From research I have done across the internet, there seem to be very little in the way of issues from people that have done so, but equally very little in complaint from those that decided not to. In reality, you need to look at whether the advantages of converting are going to be significant enough to your workflow and image management to make the change worthwhile. In my case I decided that they were not, I am happy with my current workflows despite using RAW files from three different manufacturers.

About the author

Jason Row

Jason has more than 35 years of experience as a professional photographer, videographer and stock shooter. You can get to know him better here


Leave a comment: