Archives for the “Photography Post Production” Category
Improving your photos in the darkroom and on the desktop.
You have plenty of options to choose from when you want to reduce the noise in your images. Noise occurs due to low signal-to-noise ratio. Broadly speaking, the more you amplify the signal, the more noise you get. That is why you get more noise when you increase the ISO. Nevertheless, noise can be reduced in two general ways: while taking the image, and in post-processing.
We all love to save a little time, but when it comes to Photoshop, some things are trickier than the others. Getting the right color look to an image can be quite a painstaking exercise, a lot of minute adjustments to colors, hues and saturation. However, there is one tool, not often talked about, that can allow you to make very subtle changes to the overall color look of an image with the use of a few sliders. It’s called Selective Color.
Photographic compositing has been with us since the dawn of photography. The merging of two or more separate images into one is seen as a way of extending our creativity. In the digital age, of course, this has become a whole lot easier with the use of Photoshop’s layers and blend modes. Today we are going to look at five of the best blend modes for a photographer, but before we start we should briefly look at what a blend mode is.
Film and prints are physical things that can be put in a box in the closet and brought out to pass from one generation to the next. I love digital technology but I have a concern that many people will lose the photographic record of their lives to the obscurity of ones and zeros. There is also the challenge of being able to find the meaningful photos amongst the thousands of files. This is where Lightroom can be of big help.
Macro photography is also referred to as ‘extreme close up photography’. Macro photography personalizes images by introducing an awareness to details that may go unnoticed in real life or on a typical photograph. Beautiful macro photography begins with the artist’s own imagination in how they see their subject. There’s also the technical side to it which is necessary to capture and bring the image to life.
Like HDR, sepia or selective color, creating panoramas is one of those trends that seems to get in and out of fashion. They are better suited to print rather than the computer monitor but one thing that does remain is their ability to impress and engage the viewer, especially when printed big. Today we are going to show you how to stitch together panoramas using Photoshop.
Smiles seem to be one of the fundamental criteria for determining what constitutes a likable portrait. Of course, not every portrait needs to feature a smiling subject in order to be considered good — that could quickly become boring; but beautiful smiles do have a way of grabbing the viewer’s attention. There are numerous ways to brighten teeth and it isn’t as complicated a task as you might think.
When we start out on our journey into photography, one thing we strive for is image sharpness. Whilst sharpness in an image is a good thing in general, there are times when a little blur adds a huge amount of visual weight to a shot. One such case is motion blur. Often created in the shooting phase, today we will look at adding motion blur to an image in Photoshop.
As you probably already know, Adobe Lightroom is one of the most versatile pieces of post production software available and is used by the majority of photography professionals to organize and do basic edits to their images. But what specifically can you do for your landscape images in Lightroom? Let’s look at a few simple LR edits that can make your images pop.
Content-Aware Scaling is somewhat of an unsung hero and one of many nifty little tricks that get buried behind their bigger, more popular editing tool counterparts in Photoshop. Content-Aware Scaling is actually, really useful and, if you ever need to give your photo a different aspect ratio but not by cropping, this tool might just be the one for the job.