How To Improve Your Focusing Skills


Nowadays, digital cameras have the ability to autofocus. That is all great but it is not as simple as it sounds. The autofocus in the cameras, especially digital SLRs is quite a complex system that you should endeavour to understand if you want to get the most out of it. Yes, you can point a camera and hope for the best, and that will usually work well, but then again, if you know how focussing really works, you can ensure you have more properly and consistently focused shots than by just relying on luck. Photo by Dennis Skley

Back in the day, you’d have to drive the focus manually – spin the ring on the camera until you are in focus. It was done visually, and you were the only judge of whether your shot was in focus or not. Of course, the viewfinder was designed to make that a bit easier, but you could still get out of focus easily, especially with faster lenses. Just imagine how hard it would be tracking a race car with manual focus.

Basically, the focus drives the internal elements of the lens thereby effectively moving the field of focus forwards or backwards.

The focus won’t change if you move left or right, but it will change if you change the distance between the camera and the subject you are focused at. Therefore, if you want to focus then recompose, you’d have to do that without moving forwards or backwards at all.

Center Point Focusing

This is the prefered focusing method for most of the photographers and it is like that for a good reason. On every camera, the central focus point is the most accurate one. Usually the central focus point is cross type, or double precision cross type. This means that instead of determining focus on one axis (regular focus point) it used two axes or four depending on the type of cross type point. The double precision one uses 4 axes to determine the focus.

Keep in mind that most modern cameras have more than one cross type point, the 7D Mark 2 has 64 of them, Canon 5D Mark 3 has 41 of them and so forth. This doesn’t mean that all of them are created equally.

The accuracy of the focus points is also determined by the quality of the lens, and the aperture of the lens. The more light the lens lets in, the more accurate the focus points can be, which is a tad obstructed by the small field of focus. However, every lens is sharpest in the middle, thus the focus point that is in the centre or near the centre will usually be more accurate than the others. This applies for phase detection focus systems too, while contrast detection focus systems rely solely on light, which determines their accuracy.

7D mark 2 focus screen. All points are cross type.

So, if you are going to use the central focus point most of the time, you’ll need to know how to do it correctly. You can focus on the central point and recompose afterwards, that is what I do 90% of the time. But that takes lots of practice, since you’ll have to recompose by tilting and shifting the camera without changing the distance to your subject. This means that if you just rotate the camera, you’ll probably change the distance, so you’ll have to compensate for it by eye. If you want to practice this skill it is easier to start with a longer lens, since the field of focus is wider. Then you can gradually move towards shorter lenses.

Once you master center point focusing and recomposing you’ll do it by muscle memory, so you won’t even have to think about it.

Off Center Point Focusing

If you are using a camera with a more advanced focus system you can change the points of focus towards the side, so it can fit your portraiture or whatever you are focusing on. It is useful when you are doing more shots with pretty much the same composition. Photo by Ian Norman

But before you rely on the side focus points, make sure that you have tested the accuracy of the points using your particular lens first. You don’t want to end up with improperly focused pictures.

Additionally, central lens sharpness applies to focus as well. Some lenses are slightly curved in construction (especially some vintage ones) and you might notice that in the center of the image and on to the sides the focus isn’t in the same place. This is due to the fact that the plane of focus (or the field of focus) is not a straight line, rather, it is slightly curved for these lenses.

Thus, when you use focus points towards the side with lenses like this, you can easily get confused where the focus actually is, so you should be observant and take that into consideration.

Additional Notes

Each focus point needs some contrast to work accurately. If you try to focus on a plain white or single colour area, there is a good chance that the focus will be off slightly, and older cameras won’t be able to focus at all. Find some contrast (eyelashes with the eye is a perfect example, the eyelashes are black, while most of the eye is white), and use that contrast to focus and ensure the focus is accurate.

If you notice that no matter what, the focus ends in the wrong place, you might need to get the lens calibrated using the micro focus adjustments in your camera, or if that doesn’t work, take it to the service centre.

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Photographer who loves challenging and experimental photography and loves sharing his knowledge about it.

Back-button focus also helps, a lot since you can focus on what it want and pushing the shutter button does not change focus if you point away from the subject.

That was my first thought as well. As the writer says, though, be careful as moving the camera may actually result in a slight movement toward or away from the subject, making the image slightly out of focus.

What are your thoughts on options such as “3D focus” for moving subjects? I have started to use this with some success on my Nikon d5200 to capture images of my children’s soccer and equestrian events. For those unfamiliar with this option, you begin by center focusing on your desired subject as normal. Then, as long as you hold the shutter at half-press and your subject doesn’t leave your overall focusing area, your camera will track the subject and refocus accordingly. This not only allows you the flexibility to adjust your composition after focusing, it also does a fair job of adjusting to erratic changes in distance between shooter and subject (such as kids chasing around a soccer ball).

I have focussing problems, My images seem to be a bit soft, I am wondering if it is my sigma (2009 vintage) or whether because I use hand held most times.

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