When Johnny sees this image, it brings back long-suppressed memories of asking irreverent questions in class. It specifically depicts the moment just before everyone turns to stare in disbelief, at whoever asked a deafeningly stupid question.
So, How Does Johnny Make these Images?
Johnny plans each of his pictures starting with some
notes in a sketchbook and rarely some sketches when required. He sometimes has the idea of the image in his mind and maybe the title for the image too, which he jots down on the sketchbook.
just creates the pictures and lets the audience or the image itself bring out the meaning.
Johnny expects his work to be
thought provoking and emotionally moving amongst his audience. He looks for a balance between what the eyes see and what the mind perceives which can be quite a difficult task.
Johnny firstly chooses a location for his image and
then figures out how he wants the picture to turn out. He does some test shots on a digital camera before shooting film. This way, he gets the correct exposure on film and can plan out the logistics.
The number of rolls he shoots for each picture depends on the complexity of the final image. On an average,
Johnny shoots around 5 rolls to complete an image.
Once the shoot is complete, Johnny drops off the films at a lab for processing where all the rolls are developed and all images scanned into high -resolution images.
He then imports the images into Lightroom where he culls the images,
selecting the ones that have the strongest impact for the final image.
After this he moves on to building his collage process, starting with the background that has no people in them and then individually pastes
Johnnys in them.
a key character in his images that he calls the “ Hero” surrounded by supporting characters that he calls the “ Antiheroes” whom he fills in the rest of the frame.
“Together they make up the Yin and Yang of the interaction taking place.”
Diligentia – Image by
Glory of Shame – Image by
Diligentia II – Image by
Johnny Tang Illusions of Progress is inspired by the feeling of being not quite sure if one's efforts are paying off. As the great philosopher Soren Kierkegaard once said “Life can only be understood backwards; but it must be lived forwards.”
Johnny starts off with a large number of supporting cast and in the end,
edits out any unnecessary figures. This is followed by the masking process which is the most time-consuming part in the making of the images.
Each image is cut out along with its shadows and reflections to match the background and also to help maintain consistency in the image.
The relationship between creation and destruction fascinates Johnny. In order to create something, something else must be changed. Said differently, something must be destroyed in order for something else to be created.Johnny finds that the creation process, more often than not, is slow and deliberate. But destruction, on the other hand, is often swift and unexpected.
Johnny Tang Johnny also adds:
“I generally try to resist the urge to edit out any characters before the initial collage is finished. It’s hard to tell which figures are worth keeping until the initial composite is complete, because you don’t know which frames you’ll need until you have the whole picture.”
making this distinction is one of the most difficult aspects of the process.”
Commodum – Image by
Johnny Tang One of Johnny's favorite philosophical questions to ponder is: “How can I tell if the reality I’m seeing is real?” Or as Descartes described it, “How do we know we're awake in real life, or just living in a dream?” As an artist, this is a question that Johnny often alludes to in his work, particularly in regards to the authority society gives photographs over what is perceived as “real.”
Fortuna – Image by
Johnny Tang Johnny often finds that the problem with self-destructive activities such as drinking too much and/or eating too much, is that they are usually a lot of fun to do. This image was created to illustrate this conundrum. While the self-destructive activity is fun at the time, one's only hurting themselves in the end.
Johnny Tang Johnny Continues to Add:
“Keeping as few guys in the picture as I can, while still maintaining the original idea and dynamic for the composition, is the key to making these pictures successful.”
Shinobi No Kame – Image by
Fearful Courage – Image by
Migrant Shores – Image by
Johnny Tang Completing the Process
When Johnny arrives at the result that he has in his mind, he
starts removing people from the background, sometimes using bits of background from other frames and sometimes using the clone stamp tool.
The image is then cropped to get all the elements into a proper frame. If you are interested in more information on how Johnny accomplishes this task, follow this link
for more details. here
Here is a post that has a
. gif of the collaging process
Fearful Courage – Gif version by
Johnny Tang Further Resources
If you're inspired by Johnny’s work (I know I am) and would love to
see more of his creative pieces, look through the links below
Johnny Tang on
Johnny Tang on
You can also support Johnny Tang’s
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Fundamentals of Editing, have a look over at this. Written by pro photographer Kent DuFault, this guide will teach all the essentials you need to know –
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