When it comes to composing your shots, photographers now have a couple of options: a
viewfinder (optical/electronic/hybrid) or a rear LCD screen (most cameras feature both) – using your camera's LCD opens up possibilities, so that's what we're going to discuss today.
Often you will find that regardless of which method a photographer prefers, they are adamantly devoted to it.
For example, I’m sure you’ve encountered those who insist on using a camera with a viewfinder and grouse at the very thought of having to use an LCD to compose. There’s certainly nothing wrong with sticking to a tried and true approach, but it also doesn’t hurt to try something new.
If you’re a viewfinder loyalist, allow me to present to you 4 reasons that may sway you towards composing with your camera’s LCD a bit more often (just to be clear, I am not referring to a DSLR’s live view mode). Image by Kaique Rocha
1. You Can Get Closer Without Being Intrusive
This point is of particular interest to
street photographers who value the ability to blend in with the crowd. I know some of you are nauseated by the idea of holding your camera at arms length and looking like a tourist, but this can work in your favor!
If your goal is in fact to blend in, then depending on where you’re shooting, looking like the stereotypical tourist is exactly what you want.
The general public traffics in certain misconceptions about photographers and their cameras, with a common fallacy being that “professionals” use “big” cameras — you know, the ones where you have to look through the viewfinder.
There’s an intimidation factor there. Using a camera’s LCD for composition can alleviate some of those negative perceptions.
Furthermore, remember that . If you want to convey a sense of intimacy or immediacy, you have to be in the middle of the action, close to your subject. Using the LCD allows you to accomplish this without being intrusive. proximity is important in street photography Photo by Jason D. Little
2. You Can Keep an Eye on Your Surroundings
When shooting portraits or cityscapes, I prefer the
tunnel vision that the viewfinder provides. But one of the advantages of shooting street photography with an LCD screen is that you can compose your shot while still being able to see what’s going on around you.
There may be someone or something entering the scene as you’re about to take your shot; having your peripheral vision unobstructed will allow to quickly determine if you want to avoid or include the incoming subject. Photo by Jason D. Little
3. You Can Get More Creative with Composition
Not having to raise your camera to your eye in order to capture a shot can be
liberating. That feeling of liberation tends to incite fits of creativity — creativity that can be easily applied to composition.
You’d be hard pressed to find a current-market digital camera without an articulating LCD (to be sure, there are a few exceptions), thus allowing you to alter your perspective with a flip of the screen.
Additionally, you can change the composition overlay guide on an LCD according to how you want to frame your shots — 2 x 2, 4 x 4, diagonal lines, etc. These options will help you further experiment with composition. Photo by Jason D. Little
4. You Can Learn to See in Black and White
I’ve written before on the visual and optical characteristics that one should be aware of when looking to create
successful black and white images, such as contrasty scenes, textures, well-defined shapes and moody light/shadows.
It’s a good thing to know how to spot monochrome-worthy scenes with your own two eyes, but your camera’s LCD can definitely make it a more convenient process.
Simply set the LCD to display in black and white, dial in specific settings (adjust highlights and shadows) to correspond to how you would like your images to look, and immerse yourself in visions of monochrome. Photo by Jason D. Little
Final Thoughts on Using Your Camera's LCD
I am not suggesting that using an LCD is objectively better than using an optical or electronic viewfinder, but there are indeed
situations where an LCD has distinct advantages over a viewfinder, some of which are stated above (a few of these advantages may be mitigated especially by an electronic viewfinder versus an optical viewfinder).
Perhaps the best trick accomplished by an LCD is putting the user in a more relaxed frame of mind; when you’re unencumbered by the perceived gravity of your work and the tools used to carry out that work, you can simply enjoy the process of shooting.
To make sense of all these LCD-viewing ideas and put them into practice, be sure to have a look at this professional guide on
Advanced Composition – it really is a fantastic guide that could propel your photography skills beyond the limits you thought possible!