There are many photographers who are very particular about sharpness. This is not a bad thing. In fact, it is a good practice to check for sharpness. But sometimes there is too much emphasis on sharpness that it seems like a photo is a lost cause when it isn’t very sharp. This creates a tendency to treat blur like an enemy. However, blur can be utilized creatively in many ways.
Photographic Composition Articles
Amazing low light capabilities, or so the marketing screams. It seems the mantra of every camera manufacturer these days – the total elimination of image noise. It is virtually impossible to find noise in a well exposed image that is shot on an ISO of 1600 or less. But is this necessarily a good thing? This post explains how image noise can actually be your friend.
Color is an important element of composition. It has long been known that all colors have distinctive influence on us. The color red has a wide gamut of emotional contexts and can subsequently have a strong impact on your photographs. From enhancing color contrast to creating a focal point, it can transform your images from ordinary into extraordinary.
Viewers often prefer the rule of thirds simply because it creates a certain flow or direction that the eye can follow – a flow or direction that is pleasing to the eye. But it doesn’t always work and a lot of very good photographers consider it more a “guideline” than a rule. Let’s look at why.
Composition is critical in photography, and it is something that every photographer wants to understand. While there are different rules for composition that you can follow, like the rule of thirds, leading lines, S-curve, and a whole lot more, there is an aspect of composition you need to look into to understand these rules better – the different roles of elements in a frame.
Ansel Adams and his work remain central to photography discussions; he’s been a source of inspiration and emulation for generations of photography enthusiasts and professionals, even now in the digital age. There are a number of elements that we closely associate with Adams’ style, including the way he used depth of field.
