If you have created even one photo with a digital camera you are already aware that what you see is almost never what you get. This is due to several factors. First of all, the lens can geometrically affect the field of view because it mostly differs from the field of view our eyes have. But that is the least of a problem. Biggest difference is in the contrast, more precisely in the difference between the shadows and highlights.
When traveling there are things that are not in your control, especially if photography is one of the main reasons you are traveling. That doesn’t necessarily mean that there is nothing to be done. Here are 7 things to keep in mind when doing travel photography.
Macro photography can be incredibly fun and rewarding. It can also be a challenge. That macro photography poses a challenge probably isn’t the sole factor that keeps most people away, however; it’s more likely to be the perceived high cost of admission along with not knowing if they are up to the challenge. Nobody wants to pour money into something they’re not good at. Of course there’s a more expensive side to macro photography, particularly when it comes to dedicated macro lenses, which are specially designed for high magnification and enhanced sharpness; but a macro lens isn’t the only path into close up photography. If you want to get your feet wet and not spend a lot of money, extension tubes might be the perfect solution for you.
A newcomer to photography is often daunted by the different exposure modes a camera may offer. In fact, there are only four, real exposure modes and these are often represented by the word PASM. PASM stands for Program, Aperture Priority, Shutter Priority and Manual and can by found (not always in that order) on the exposure mode dial on top of your camera. Today, rather than give you an in-depth break down of how each mode works, we are going to give you a brief, layman explanation of each mode and, more importantly, when to use it.
In one word, yes. But I’d figure that you would want a more detailed explanation. The 50mm f/1.8 lens – doesn’t matter what brand it is Canon, Nikon, Pentax, etc – is the cheapest and most widely used glass ever made. The Build Quality More often than not, manufacturers don’t bother with pristine build quality with […]
Night time photography is surprisingly similar to daytime photography in the sense that it’s all about finding the right light. Obviously, things are considerably more challenging at night, and while it may appear your opportunities are severely limited once the sun dips below the horizon, you should think in terms of having a different set of opportunities rather than having fewer of them. If you’ve been looking to get started with night time photography, the tips below should be of some interest to you.
The eight to five workday starts. Workers swipe time clocks, dash through closing elevator doors and fight rush hour traffic. By this time in a completely different setting, many nature photographers have already had their coffee while watching a kaleidoscope of life emerge. Mornings filled with fog, a light mist highlighted by the sun’s rays or hovering like a blanket over low lands are a delight to photograph. To effectively capture the mood and color, there are three essentials. These include 1) Timing 2) Tools and 3) Technique.
Daily/weekly photography projects are a good idea whether you are just starting out or you have been doing photography for a while. Most of the photographers I personally know have gone through one of these. But what is all the noise about it? Well, first of all, it is a good tool for the learning curve for beginner photographers. Forcing yourself to do better every day means that you are actually forcing yourself to learn and understand photography better every day.
It’s common for photographers to feel weird during their first portrait session. Like learning a new dance and being unsure what it looks like, shooting your first portrait session is full of motions you’re not familiar with yet. Choosing, posing, composing, shooting, refining. The question “am I pulling this off” might be looming and producing anxiety. In the hopes of defusing some of that weirdness for you, and assuming your first portrait session isn’t with a professional modeling agency, here are some things you can probably count on during your first portrait session. So breathe easy.
There are numerous factors that go into making eye-catching portraits. But an important (and sometimes overlooked) characteristic of a good portrait is that it is free of distractions. Any number of things could act as a distraction and it is easy to take care of the most obvious problems like stray hairs or blemishes. But be sure that you don’t neglect the background. Don’t worry if you don’t have a studio and backdrops for your portrait sessions; there are plenty of other ways to include — or exclude — a background so that it enhances rather than distracts from your image.