The eight to five workday starts. Workers swipe time clocks, dash through closing elevator doors and fight rush hour traffic. By this time in a completely different setting, many nature photographers have already had their coffee while watching a kaleidoscope of life emerge. Mornings filled with fog, a light mist highlighted by the sun’s rays or hovering like a blanket over low lands are a delight to photograph. To effectively capture the mood and color, there are three essentials. These include 1) Timing 2) Tools and 3) Technique.
Daily/weekly photography projects are a good idea whether you are just starting out or you have been doing photography for a while. Most of the photographers I personally know have gone through one of these. But what is all the noise about it? Well, first of all, it is a good tool for the learning curve for beginner photographers. Forcing yourself to do better every day means that you are actually forcing yourself to learn and understand photography better every day.
It’s common for photographers to feel weird during their first portrait session. Like learning a new dance and being unsure what it looks like, shooting your first portrait session is full of motions you’re not familiar with yet. Choosing, posing, composing, shooting, refining. The question “am I pulling this off” might be looming and producing anxiety. In the hopes of defusing some of that weirdness for you, and assuming your first portrait session isn’t with a professional modeling agency, here are some things you can probably count on during your first portrait session. So breathe easy.
There are numerous factors that go into making eye-catching portraits. But an important (and sometimes overlooked) characteristic of a good portrait is that it is free of distractions. Any number of things could act as a distraction and it is easy to take care of the most obvious problems like stray hairs or blemishes. But be sure that you don’t neglect the background. Don’t worry if you don’t have a studio and backdrops for your portrait sessions; there are plenty of other ways to include — or exclude — a background so that it enhances rather than distracts from your image.
A wedding is a sacred moment for many people. A wedding photographer is hired to document that moment, as discretely as possible, without ruining the fun and moment for anybody. As easy as this may sound, this is a task which many professionals fail to accomplish the right way. Photographing a wedding means that you need to be everywhere, but not obstruct anything. In addition, keep in mind that your photographs will need to be top notch from the get-go because there is no “let’s try again” or “don’t worry, we will reschedule”.
It’s October and that frightful time of year is upon us in many countries around the globe. Halloween. For kids, it’s costumes of ghosts, goblins, princesses, movie characters and animals. For photographers (notice that I did not say grownups!), it’s a time of creating mystery, a bit a dark drama, a lack of color and a starkness that emanates foreboding emotion. We’ll explore subjects that automatically evoke a creepy, eerie sensation using techniques of 1) harsh editing 2) silhouettes 2) shadows 4) exposure 5) distortion and 6) movement.
Did you know that you can use color contrast to make your photos more interesting and attention-grabbing? You can achieve it only if you understand the basics of color. You need to know what primary and secondary colors are and how that knowledge can help you get a better image. Colors can represent a lot more than you think.
No matter what you are going to shoot, you can’t foresee the weather, right? Weather isn’t the only problematic aspect of photoshooting. Many other unexpected things can happen, therefore you must always go prepared. Aside from the obvious stuff – your camera, lens and flash – what else should you always pack and why?
As we know, Lightroom has become a very powerful tool not only for image management but also for post production. Amongst the tools available are some excellent ones for the landscape photographers amongst you. Today we are going to take a look at ten of the best. From graduated filter and the adjustment brush to tone curve, these 10 tools will help make your landscape photographs pop. Do check them out.
One of the challenges photographers face is posing. It’s a conundrum because it requires a kind of authority most of us aren’t used to having: The authority to say if something looks good or bad. So much of this authority is earned and demonstrated to your subjects in the swiftness and confidence with which you pose them. Therefore, photographers spend a lot of time working on just where to place a loose hand, and exactly how a person’s back should arch, or how their legs should cross. But in all this fuss, they frequently lose sight of the spirit in their subject.