A wedding is a sacred moment for many people. A wedding photographer is hired to document that moment, as discretely as possible, without ruining the fun and moment for anybody. As easy as this may sound, this is a task which many professionals fail to accomplish the right way. Photographing a wedding means that you need to be everywhere, but not obstruct anything. In addition, keep in mind that your photographs will need to be top notch from the get-go because there is no “let’s try again” or “don’t worry, we will reschedule”.
It’s October and that frightful time of year is upon us in many countries around the globe. Halloween. For kids, it’s costumes of ghosts, goblins, princesses, movie characters and animals. For photographers (notice that I did not say grownups!), it’s a time of creating mystery, a bit a dark drama, a lack of color and a starkness that emanates foreboding emotion. We’ll explore subjects that automatically evoke a creepy, eerie sensation using techniques of 1) harsh editing 2) silhouettes 2) shadows 4) exposure 5) distortion and 6) movement.
Did you know that you can use color contrast to make your photos more interesting and attention-grabbing? You can achieve it only if you understand the basics of color. You need to know what primary and secondary colors are and how that knowledge can help you get a better image. Colors can represent a lot more than you think.
No matter what you are going to shoot, you can’t foresee the weather, right? Weather isn’t the only problematic aspect of photoshooting. Many other unexpected things can happen, therefore you must always go prepared. Aside from the obvious stuff – your camera, lens and flash – what else should you always pack and why?
As we know, Lightroom has become a very powerful tool not only for image management but also for post production. Amongst the tools available are some excellent ones for the landscape photographers amongst you. Today we are going to take a look at ten of the best. From graduated filter and the adjustment brush to tone curve, these 10 tools will help make your landscape photographs pop. Do check them out.
One of the challenges photographers face is posing. It’s a conundrum because it requires a kind of authority most of us aren’t used to having: The authority to say if something looks good or bad. So much of this authority is earned and demonstrated to your subjects in the swiftness and confidence with which you pose them. Therefore, photographers spend a lot of time working on just where to place a loose hand, and exactly how a person’s back should arch, or how their legs should cross. But in all this fuss, they frequently lose sight of the spirit in their subject.
Both bokeh and blur are terms that are used interchangeably in photography. Bokeh comes from the way the lens pulls in the points of light that are not in focus. Bokeh or blur can be good or distracting depending on the preference of the photographer and how it’s used in the image. Bokeh may create a smooth, buttery background with almost a painterly effect. Or, it can be busy, with multiple shapes and colors. Experience and practice enhances the effective and intentional use of bokeh.
If you have an attic, a closet, or even a junk drawer, I guarantee you can create a unique background for your close-up photos! My favorite thing about macro photography is that you can work on the tiniest sets; and tiny sets don’t need too much of any one material to fill your frame. You could create a stunning scene in a shoebox if you tried. I’m sure you have a ton of odds and ends that would make excellent backgrounds in your macro photography, so get digging! Here are a few ideas to get you started.
Interior photography isn’t just about capturing snapshots inside a building. It is more than that and requires careful planning. Photographing interiors is all about presenting the interior as welcoming as possible, that means keeping it warm and spacious and choosing the right angle for the photographs. Here are some tips that will help you in interior photography.
In photography, light is everything. Inside a studio, you can control every aspect of the lighting but when photographing outdoor under ambient light, a lot depends on the weather. Weather condition affects light, and therefore affects your photography. So, what can you do when the weather turns bad during your outdoor shoot? Wait for the perfect weather? You don’t have to wait for the perfect weather. Adapting to the weather condition, and using it to your advantage would be the smartest thing to do.