It’s common for photographers to feel weird during their first portrait session. Like learning a new dance and being unsure what it looks like, shooting your first portrait session is full of motions you’re not familiar with yet. Choosing, posing, composing, shooting, refining. The question “am I pulling this off” might be looming and producing anxiety. In the hopes of defusing some of that weirdness for you, and assuming your first portrait session isn’t with a professional modeling agency, here are some things you can probably count on during your first portrait session. So breathe easy.
There are numerous factors that go into making eye-catching portraits. But an important (and sometimes overlooked) characteristic of a good portrait is that it is free of distractions. Any number of things could act as a distraction and it is easy to take care of the most obvious problems like stray hairs or blemishes. But be sure that you don’t neglect the background. Don’t worry if you don’t have a studio and backdrops for your portrait sessions; there are plenty of other ways to include — or exclude — a background so that it enhances rather than distracts from your image.
A wedding is a sacred moment for many people. A wedding photographer is hired to document that moment, as discretely as possible, without ruining the fun and moment for anybody. As easy as this may sound, this is a task which many professionals fail to accomplish the right way. Photographing a wedding means that you need to be everywhere, but not obstruct anything. In addition, keep in mind that your photographs will need to be top notch from the get-go because there is no “let’s try again” or “don’t worry, we will reschedule”.
It’s October and that frightful time of year is upon us in many countries around the globe. Halloween. For kids, it’s costumes of ghosts, goblins, princesses, movie characters and animals. For photographers (notice that I did not say grownups!), it’s a time of creating mystery, a bit a dark drama, a lack of color and a starkness that emanates foreboding emotion. We’ll explore subjects that automatically evoke a creepy, eerie sensation using techniques of 1) harsh editing 2) silhouettes 2) shadows 4) exposure 5) distortion and 6) movement.
Did you know that you can use color contrast to make your photos more interesting and attention-grabbing? You can achieve it only if you understand the basics of color. You need to know what primary and secondary colors are and how that knowledge can help you get a better image. Colors can represent a lot more than you think.
No matter what you are going to shoot, you can’t foresee the weather, right? Weather isn’t the only problematic aspect of photoshooting. Many other unexpected things can happen, therefore you must always go prepared. Aside from the obvious stuff – your camera, lens and flash – what else should you always pack and why?
As we know, Lightroom has become a very powerful tool not only for image management but also for post production. Amongst the tools available are some excellent ones for the landscape photographers amongst you. Today we are going to take a look at ten of the best. From graduated filter and the adjustment brush to tone curve, these 10 tools will help make your landscape photographs pop. Do check them out.
One of the challenges photographers face is posing. It’s a conundrum because it requires a kind of authority most of us aren’t used to having: The authority to say if something looks good or bad. So much of this authority is earned and demonstrated to your subjects in the swiftness and confidence with which you pose them. Therefore, photographers spend a lot of time working on just where to place a loose hand, and exactly how a person’s back should arch, or how their legs should cross. But in all this fuss, they frequently lose sight of the spirit in their subject.
Both bokeh and blur are terms that are used interchangeably in photography. Bokeh comes from the way the lens pulls in the points of light that are not in focus. Bokeh or blur can be good or distracting depending on the preference of the photographer and how it’s used in the image. Bokeh may create a smooth, buttery background with almost a painterly effect. Or, it can be busy, with multiple shapes and colors. Experience and practice enhances the effective and intentional use of bokeh.
If you have an attic, a closet, or even a junk drawer, I guarantee you can create a unique background for your close-up photos! My favorite thing about macro photography is that you can work on the tiniest sets; and tiny sets don’t need too much of any one material to fill your frame. You could create a stunning scene in a shoebox if you tried. I’m sure you have a ton of odds and ends that would make excellent backgrounds in your macro photography, so get digging! Here are a few ideas to get you started.