How To Boost Your Golden Hour Images In Lightroom

We at Light Stalking, like many other photographers, love the Golden Hour. And what’s not to like? Beautiful yellow/orange light, long soft shadows, and silhouettes, it’s a beautiful time of day. Sometimes though, are you a little underwhelmed when you see the final image on your computer screen? There is a reason for that.

Camera’s don’t see color like us. They simply average out the color data they are given, effectively neutralizing the beauty of the scene. Today we are going to look at how you can boost your Golden Hour images in Lightroom CC Classic. While your workflow might vary depending on your image, this gives a good indication of how much life you can breathe into a Golden Hour image.

Get It Right In Camera

While cameras do struggle with Golden Hour, we can give ourselves a sporting chance of getting a good shot with some simple things to consider when shooting. The most important of those is to shoot RAW. As RAW does not embed the white balance data into the final image, we can easily adjust it in Lightroom, giving us a much more appropriate color.

Secondly, bracket your exposures. Golden Hour images can have a very wide range of tones, difficult for the camera to capture fully. By bracketing, we can bring that tonal range more in line with what the eye sees by using HDR.

Correct The Exposure First

To demonstrate how to boost your Golden Hour shots we are going to use this shot of the Palace of Westminster in London.

Flat and neutral this image has potential

As you can see it’s quite obviously Golden Hour, but its also very neutral and lacking any color or punch. To get it looking good, we start off by correcting the exposure. As shots at this time of day often have deep shadows, we need to work on getting some definition into them.

From the histogram, we can see we have a very wide range of tones from darkest blacks through to white highlights. By switching on the shadow/highlight indicators on the histogram, we can see just where we have issues. In this shot the shadows are ok, meaning we can raise them without too much degradation. The highlights are blown out around the sun – although this is to be expected in a single shot.

The first thing we are going to do is reduce the exposure until just before we start to see clipping in the shadow areas. In Lightroom, this is denoted by blue indicators as seen here.

Getting the shadows dark

When you see this blue creep into the shot, gently raise the exposure until they disappear. The net effect of this is also to reduce the clipping in the blown highlights.

Less highlight clipping too

Next, we are going to raise the Blacks and lower the Whites until the light falls inside the histogram and we have no clipping.

Now we can raise the shadows to bring some light into the buildings. As we do so, the contrast gets flatter. We can correct this by re-adjusting the Blacks back to the edge of the histogram. We now gently move Shadows up and Blacks down until we get a have a nice balance.

The effect of raising the shadows

Next, we are going to add a little more definition to the sky. We do this simply by sliding the Highlights tool to the left. Keep an eye on the sky to avoid any banding issues. Once we are happy with the exposure it’s time to work on color.

Getting Golden

The first thing we will do is change the White Balance to something more “golden” like. As shot, this image had a White Balance of 5100k. That means the camera assumed the light was more like noon daylight than dusk or dawn. We slide the White Balance up to around 6800k. This gives us a lovely warm evening feel to the shot. We could also change the tint a little using the Tint slider but in this case, it looks fine.

The effect of increasing the color temperature.

Next, we are going to increase the saturation but only in the reds/yellows. To do this we go to the HSL/Color/B & W panel by scrolling down our tools. Make sure HSL is selected and from within that, Saturation. Now gently slide to the right the Red, Orange, and Yellow tools, again watching the sky for banding or over saturation.

Lastly, we are going to boost the sky a little further. To do this we use the Graduated Filter tool. We draw the filter down to cover the sky area. We now see that we can further boost the White Balance in just the area covered by the filter. We can also play with Clarity, Dehaze, and Saturation to get the right effect in the sky.

The difference after a little editing in Lightroom is astounding.

Software like Lightroom combined with RAW image files can completely transform a Golden Hour image from the mundane to the beautiful. Using some of the tips in this tutorial you may well be able to breathe new life into some of your dawn/dusk shots.

About the author

Jason Row

Jason Row is a British born travel photographer now living in Ukraine. His images have been licensed to companies such as Cunard, Ethiad and Virgin Atlantic as well as multiple newspapers and magazines. As well as shooting stills he is now creating travel stock video in 4K. He maintains a travel stock photography site at Jason Row Photography You can also catch up with him on Facebook at Facebook/TheOdessaFiles

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